the fijian peregrine falcon's cry
- Kelera Tuvou Ganivatu
- Oct 18, 2019
- 6 min read
Updated: Oct 24, 2019
(na tagi ni ga-ni-vatu)
A long rambling poem.....

The lali beat lulls and drones on
Battles against wild sea sprays that dances to age-old rhythm
The peregrine falcon circles in motion in perfect control above me
Calculating its next swooping dive while scanning the horizon
Nau's bed lay empty
But this falcon's speed and agility is too distracting
Raikoro's soulful gospel tunes permeate these gasau wooden walls
Plaintive notes in balletic movement danced in harmony
My soul is strangely satiated
My Nau is the wisdom of the ages and
Though she has flaws and divulged less, her love and compassion remain
I learned to pick morsels from her tapestries of stories
And listened for the silences behind her words
I learned to observe life the way this falcon zeroes in on its prey
Single-minded and unswerving like a lion's bloody intent on a doe-eyed gazelle
Tenacious as life itself.
Her stories teem with monochrome colonial days
How she met Bubu in old Metropole, codenamed Bruce
I decided not to peek at black and white photos ancient memories
For Nau's stories though lovely are at painful odds with my fantasy
Reality always cancels and demystifies fluffy dreams
Creaky dusty wooden towns punctuated with distinct players
A native sat on grassy pavement barefoot with clothes ill-fitting
His master stands aloof afar off in sharp starched suits and black shiny shoes
As if standing on the sandy isles was all a bad dream
Demarcation in my early days seeps into my consciousness
Just by studying hazy histories and trivia photos stilled in time
Creeps to my skin like a child at play scraping broken glass on rough cement
She tells of heydays of exclusion and elitism in the colonial era
Of white inclusion privileges that expand from East to West
For what do we, the ignorant brownies (as they say) possess
Who occupy Pacific loloma with their generous hearts (and land) on their sleeves
The reason why we don't humour ourselves on first world problems
Beset with worry of acquisitions for definitions
This glossy rat-race world of individuation
A discordant theme to our communal philosophy
While white pasty men of old beguile sold their wobbly integrity
In seductive muskets and worthless tobacco for vast virgin lands
The local blue blood and strategic connection pave prosperity for some
Or the fact our brothers sailed over the torturous seven seas
Toil and labor for a bittersweet destiny
Fight blood and sing dissonant voices still for a shared identity
We have not recovered from these sealed deals.
But that's all right, she says
They come from stars yonder that burns bright
Those whose minds she can't fathom
Or of a strange tongue, she has yet to master
After all wisdom perches herself on this ancient Pacific shorelines
Native to pandanus and coconut trees waving
Isaisa vulagi lasa dina, the proverbial song reverberates the skies
I hear of woven stories scattered in wrestled histories
She gathers hope in the nurturing arms of the vanua
Now the tripod identity in chaos from Napoleon's chess move
But she looks at me her granddaughter, her maku
Whose eyes twinkle at the deeper mysteries
A space to conquer like Cooks to Aussies terra nullius
She stares in full wonders of a world of possibilities and inclusions
Perhaps this illusion of limitations be shattered
As she plunges herself further into the white world
Adapts it to her needs for her destined calling
No more invisible lines of exclusivity culturally and personally
Her maku thought the glass ceiling is shatter-able
She intends to subvert this narrative
Eventually.
So, her maku sailed the tortuous seas to the land of the unexpected
Where she finds inclusion and exclusion inhabits both sides of the coin
A blessing and a curse- a paradox
She knows her mind is welcomed by her kins, an admired trophy
It is also where her place-ness is constantly reminded
In village meetings where boundary lines are distinctly drawn
Where women caters for feasts and men don full patriarchal regalia
Like the heron on village greens, she treads safely hoping
She doesn't disappoint the vanua or inadvertently sully her family name
For nobody dares besmear one's home and ideal genesis of old
The boldest of all women, a spinster, was told to know her place
And reminded to add to progeny for withered eggs cannot waste tavioka
Or so she heard from grapevines insistently, from women mostly
That alone shuts the woman's fire with cold ice
Reconstructs her destiny into impotent ash
So her maku clarifies her voice for the slandered woman was her favourite bubu
She pours all her anguish elsewhere keeping the fire alive with fine taut lines
Of what she found to be remnants of live embers
The falcon with fist-like clenched talons in clean and fatal dive
Knocked out innocent pigeons and smaller ducks oblivious with foraging.
So, she wrote and wrote of blacks, whites and greys
It feels like it's the monochrome days once again
She wrote what inhabits and breathes through these bloody pithy lines
She scrawls stories of blood, terror and pain from military camps terrors
She inks lines and imprints voices to those, whose stories remain in the shadows
She contemplates on those whose stories preferred to be in the shadows
She journals collective perpetuated silences we allow to ourselves
The kind that make you hide your face due to its sordidness
Of how familial vines turn ice on one another
Of how perfect strangers from alien wombs turn families
Whose descendants sailed a lifetime fighting their own battles still
Of undefined and wrestled space She discerns the dissonant voice from her own people And the gifted space that is now usurped and decreed by another
But wait there's more....
She inscribes:
of how women endure loveless marriages with men
who scorn their holy offerings
of how families preserve maggots of family secrets
nestled amongst trophy stories
of a Tutu, who can't resist his maku's divine curls
and cherubic face in depraved perverted need
of a distant uncle who plundered his niece's
most expensive innermost trusted secrets
of how another close uncle chides and blames the devil
for lewd indecent exposure on another niece
of how all these are swept under the exquisite ibe of status quo
staining the family name is the unforgivable sin
of how a son screech the F-word to his Tata
his elderly and ancient sacred root
of how a daughter's bold tongue doth wag at her mama
to shut up and listen to her
of how increasing young flowers lay curdled in blood over some vicious jealous fiends
of how scantily clad ladies are credible reasons enough for violations
where rape sentencing are short enough to be worn as mini-skirts
Violators with no remorse celebrate and swag their way to jail
The silences of these stories are deafening
More peregrine falcons screech and shriek over the grey willowy clouds.
And it is as if the whole world has gone mad
Waves lap our island doorsteps and melting heat immerses us all into catastrophe
The harbingers of our shared island woes
The world ignores as usual because eyes and conscience are not pricked
Our polarized destinies marginalizes us further from the Centre
We, who dwell on these insignificant sands of scattered atolls
We are the infinitesimal islands from the periphery with no money
Our leaders and their clockwork rounds of aid begging are almost predictable
Or who can forget the latest political freak show for our island theatre
Napoleon and Snowball plotting multiple schemes rescuing their sinking empires
Or the scuffle and decorated swears outside parliament enslaving our sanity
Or who could forget those salusalu of vulgarities shouted back at him in Sydney
Or those same vulgarities scribbled on a dusty old bus
Unprecedented theatrics overwhelming us all
Matches the mounting ice on Suva streets
The wavering script is losing its potent magic now
We tolerate more woven lies from Squealer and his band of zealots
Whose cursed propaganda call white black and black white
Whose privileged ink slant and skew in brazen falsity at every turn

And gone mad the world did
At least in this Sandy isle, 'tis a distracted universe
With three tripods of identity: vanua, lotu and matanitu,
A shard illusory glance of unity and nobility, a mirage perhaps
All in shambles in this twisted script
We live in a fragmented reality
Juxtaposed with bula island smiles and malua fever
The cheers echo loudly from rugby stadiums world over
And this is a thin thread that unites us all in this crowded sandy isle
The latest radio hits lull us for a second in sugary love and heartbroken ballads
The ballads that seemed to be the only poetic lines soothing the wounded nation
Life goes on in our divided tropical universe
No one dares breathes a word in insolence and rebellion
All it takes an innocent memo follow a regimental journey around all sections
Or a termination letter swiftly penned ending a dream
Our smiley resilience, our default commodity that others corrupt
As the whole nation wallows in this writhing madness
For sanity some turn to faith and identity on the Cross
Or some others explore rootedness in the yaqona bowl
As we wait for divine redemption, a desperate antidote
Perhaps China will rush to our aid- who knows?
No one messes with the Silk Road and their boomeranged gifts
She sees now other falcons join her peregrine falcon on the village rara.
But perhaps it is time to find a cause to this malady
The great divide continues to widen in wealth and privelege
But here in this sacred space of Nau's house
The woven mats of love plaited so intricate and so fine
So woven and stable as life itself
There is hope as sure as the sunrise
She hears the words:
How shall you re-define yourself?
How shall you address the banal of your existence?
Her maku now lost in her reverie
Here in the hot sun glistening on this fertile land
The peregrine falcon dismembers its spoils happily,
Dice and mince raw meat
Fresh blood spill to the ground
Entrails strewn everywhere
The falcon raises her head
And gazed straight into her soul
-a deadpan expression.
Copyright_ Kelera Tuvou Ganivatu
Kelera Tuvou Ganivatu was born and raised in Suva, the Fiji Islands. She is a teacher by profession, lover of good heart-warming fiction and non-fiction, traveler and free-lance writer. She and her husband live and work abroad. They love to discover the archeological ruins and raw beauty of South America apart from their other travels. Her writings tend to explore issues of the ordinary person in Fiji; responsibility, alienation, racism, politics, corruption and education. Her new Collection of Fijian short-stories "Beyond the Sand and Smiles" will be released soon.
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